Paste one camera at a time and check the audio for sync by listening to the tracks and soloing cameras. Paste on the 24p timeline using the start timecode (sometime you have to convert to nearest frame, for example 58th frame is the same as 23rd frame). When copying, write down the timecode that the storyline begins on. Copy and paste each secondary story line (each camera) one by one. Import into FCPX 10.3.4 (the same library as the one above). Make sure you are using the same audio for synching (if you are using one audio source to record) as you want to make sure the projects are the same lengths.
![exprting sync audio pluraleyes 4 exprting sync audio pluraleyes 4](https://downloadmac.info/wp-content/uploads/2021/11/download-67.jpg)
Sync 24p and 48p footage in one Plural Eyes 3.5 Project.Watch the video above to get a quick run down, but I want to list a few important factors. The longer the edit, the more out of sync the project will be.
![exprting sync audio pluraleyes 4 exprting sync audio pluraleyes 4](https://blog.frame.io/wp-content/uploads/2018/05/Screenshot-2018-04-14-15.22.33.png)
That is obviously a problem where we are editing long form edits. Many times, the cameras are off by 5 frames, and sometimes as much as 15 frames.
![exprting sync audio pluraleyes 4 exprting sync audio pluraleyes 4](https://www.autokroma.com/_next/static/images/Poster_PluralEyes-3ab0d569be181e2e44471fa06166e20e.jpg)
The problem with Final Cut 10.4 and Plural Eyes 4, doing a straight basic sync in Plural Eyes will create issues where the footage is not in sync.
#EXPRTING SYNC AUDIO PLURALEYES 4 HOW TO#
So, how to sync footage with frame rates 24p, 30p and 60p together and make sure that it’s 100% synced up in Final Cut Pro. Plural Eyes 4 itself is a pain to use professionally (it’s been dumbed down). And the new updates with FCPX and Plural Eyes 4, they are not so great and I’m having a ton of issues. You might wonder why I’m using old software to get my footage synced up, well, it’s because it works. In this simple tutorial, I want to show you my workflow syncing multi-frame rate (24p, 30p & 60p) footage with Plural Eyes 3.5 and Final Cut Pro 10.3.4.